My name is Alejandro Pérez, and for over 10 years, I've been building my own sonic language — without academia, without shortcuts, with a lot of curiosity, and just enough mistakes to truly learn.
My obsession is sound design: creating textures and atmospheres that go beyond the note, that are felt before the brain processes them. Layers, depth, that something you can't quite name but that draws you in. That's what I seek every time I open a project.
I'm also very much driven by the bright side of sound — those brilliant and optimistic tones rooted in funk that I bring to electronic music with my own twist. Energy with character, basically.
But if there's one thing that defines my way of working, it's this: sound is everywhere. I go out, record a streetlamp, the creak of a door, the echo of an empty parking lot — and build from there. The everyday has brutal power if you know how to listen.
I'm self-taught and proud of it. Over a decade of learning on my own has taught me that knowledge is acquired, that the process matters more than perfection, and that the best ideas often come precisely when something goes wrong.